
Then there were the numbers. HBO, under the scrutiny of David Zaslav these days (yeah, we know Casey Bloys is the head HBO programmer), pays big attention to the numbers, both the budgets & the ratings. And when shows just aren’t cutting it, they must go. In fact, Francesca Orsi, another HBO programmer, warned of that process in a Deadline interview a while back. She stated, “Each show has a job to do, given the price tag that we give to it, and there’s a viewership. component, and there’s a critical response element to it and, of course, the buzz nature of a show. It’s those elements that we are always keeping in mind and discussing relative to whether or not a show will continue. That factors in for Perry Mason, for Winning Time, for instance, for Gilded Age, so we have to play everything out and see how well they do.” Result – PERRY MASON and now WINNING TIME couldn’t ‘do it’. But we’ve got THE GILDED AGE, which could. Then, Jeff Pearlman, author of WINNING TIME’s source material, “Showtime: Magic, Kareem, Riley, and the Los Angeles Lakers Dynasty of the 1980s” warned us to keep watching or the series was done. WINNING TIME just couldn’t maintain the numbers, losing more than half of its viewership to follow it into its sophomore season.

WINNING TIME: THE RISE OF THE LAKERS DYNASTY in the end was a tough scrapper struggling against the numbers to be a standout drama at HBO. Though viewers did not get to replay the glory of the Showtime-era Lakers in full, it was a blast to have it branded an HBO Original series.
