Big Little Lies is proving itself to all doubters that a second season was necessary, important and just as good as the first one. Season one was all about mystery, murder, secrets and lies and while season 2 has elements of this, there is a lot more character depth and an exploration of relationships, marriage and complicated family dynamics all of which are deeply affected by the strain of The Lie. Jean-Marc Vallee’s signature directing style is well compensated by Andrea Arnold, best known for independent films like Fish Tank and American Honey. Her edgy and raw directing style fits in well with the Monterey Five and with Liane Moriarty joining David E. Kelley in the writing of each episode, we are getting a deeper and greater understanding of each character and what is really at stake here. With only three episodes left and little focus on the investigation itself, you have to wonder how this is all going to play out.

This question has been circulating in minds since episode one. While she may not necessarily be a bad person, she certainly is a complicated person. At her very core, she is a Grandmother and grieving parent. She demonstrates her devotion to her grandchildren on a regular basis, welcoming in Ziggy with open arms, moving to the area to be around them more and to help Celeste with childcare. She has such a sharp edge to her that is deeply unsettling at times, if its not the scream during dinner it is her response to Celeste slapping her – “What shall we call that? Foreplay?”. A hurtful comment said with consideration and purpose, knowing full well how much it would upset Celeste. There is an element of her character, the grief-stricken mother of a rapist and violent husband, that is proving to be the most interesting dynamic of her personality. Her desperation to understand what he has done leads her to accuse Jane of making her ordeal up and also pushing the blame onto Celeste for not keeping him interested enough. She cannot face that her son would have been capable of such things and spends her time reminiscing about him like he was some kind of saint, the way in which any mother would choose to remember her dead son. This turmoil is heartbreaking and Meryl Streep encapsulates it perfectly. She is grieving and she is looking for someone to blame.
What does this season tell us about marriage?

What is going on with the investigation?

Dern and Streep steal the show
This season, at the moment, belongs to Meryl Streep and Laura Dern who give shatteringly brilliant performances week after week. Mary-Louise has a creepy quality, much like her son. She turns up unannounced, lingering in shadows at car parks, arriving at parties and gatherings without being invited. She knows where she’s not wanted and she gravitates there. She is closing in on Jane and Celeste by moving to an apartment in Jane’s building. She can be accusatory but polite, she can be your best friend and your worst enemy. She is sharp-tongued, quick-witted and she knows how to hurt you. Her character is unfamiliar and unpredictable and this in itself is unsettling to us all. Laura Dern, on the other hand, is doing a remarkable job portraying Renata’s emotional breakdown, which has given us some memorable and awkwardly hilarious moments in previous episodes. She is so focused on her daughter and seeming like she has everything under control that she is constantly on the edge of a huge meltdown. While she is the highest strung she has ever been, she is also deeply compassionate and underneath it all, she is hurting. Her husband has betrayed her and she is losing everything she has worked hard for. These two elements of her character are likely to play a big part in the truth unveiling itself when it finally does happen. Someone can only function in high gear for so long before they burn out entirely.
Who Knows?
The title of the episode this week poses the biggest question with an ambiguous answer. She knows. But who? Who knows? And what do they know? Firstly they could be talking about Mary-Louise knowing the truth about the case, or at least being well on her way to finding out the truth. It could also refer to Elizabeth, Bonnie’s mother, and her bizarre ‘visions’ during her stroke that lead her to believe that Bonnie is drowning in her own lie. Something she knows is linked to the death of Perry. Or it could be a little more abstract and refer to Celeste knowing that she needs help, to Renata’s daughter knowing that something is up with her mother, to the therapist knowing what’s best for her patients. Next week we see Celeste and Mary-Louise go head to head in the custody battle, Ed and Madeline facing their future and the five women considering that their lie could be discovered. It’s difficult to predict how this is all going to finish, but it feels like the investigation is going to pick up.
Check out the trailer for next weeks episode and let us know your thoughts!
