It’s hard not to be a sucker for sci-fi actioners that rattle forward at the blistering pace with which Underwater possesses out of the gate. Within what feels
Where Lena Dunham’s pilot did exceptionally well to establish meaning and urgency amongst an array of core characters in a professional world that is, at times, indecipherable (think
When Black Christmas is leaning into Scream, I Know What You Did Last Summer and directly referencing The Shining in dialogue thinking no one would notice, it is
Heavy-handed, but appropriately heavy going, Destin Daniel Cretton’s third feature is a stark stylistic contrast to his sensationally delicate debut, Short Term 12 – perhaps one of the
There is an appeal to Leigh Whannell’s The Invisible Man, to a point. It’s exciting enough, if 20 minutes too long, but does nothing to service its classically
A beer in the shower (as part of an introductory montage), and the trailer-fueled promise of inspired buzzer-beaters might lead you to think that you know what you’re
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